Just for fun!

Another self initiated illustration, my take on a poster for the film Drive.  Rendered in pen and ink this illustration was just for a bit of fun and a little diversion from my usual projects I hope you likely.

The rough-work below shows the development of the image, I've taken three images to show though their was lots of other bits an pieces to work on to flesh the illustration out.  

A series of sketches showing the  poster development.

Finished poster!

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Self Initiated Work

Self initiated projects are an opportunity to draw something I do not normally get commissioned to do.  It’s good to fill gaps in my portfolio and expand the breadth of what you can do as an illustrator.  If its not in the folio a client will not commission you do do something similar, so its important to keep the work fit and healthy by adding new things and trimming the fat.

Their is no reason it has to be a chore it can be fun and you can get to draw things that are interesting.  I love dinosaurs and all things prehistoric from lost lands long ago, I've quite bookshelf on the evolution of life, fossils and lovely glossy picture reference books on the subjects too.  It is a wealth of material for the mind to imagine upon, so I decided to get prehistoric.

The below images show the Tyrannosaurus and horned Triceratops placed in a dummy layout to give them a bit of context. Both pen and ink illustrations are the kind of illustration that I hope is attractive to children’s book publishers.

The line art illustration is created from pencil sketches and then coloured on the computer.  For the Triceratops illustration I worked from the fossil remains shown in books only as a challenge and then put flesh on the bones and skin and patters from reference images of animals that exist today.

The mighty Tyrannosaurus, for this I placed my illustration in  a dummy  page layout  to  give it a little context.

The horned Triceratops in dummy layout.

You can see these images and other commissioned work by visiting my website 

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Recent projects

I’ve been fortunate to work with a great deal of talented people, producing images for advertising Children’s book illustrations, Educational illustrations, Comic book artwork, Storyboard and conceptual art for television, web, client pitch images and even illustrated maps! 

Thorpe Park 2009-Present  Large artwork for the amusement park’s on site map both display and carry fold out version.  The challenge was the fit in all the rides and buildings in a way that you could see the dramatic scale of the main rides and still be used as a functioning map.  The park is always being updated with new rides so the illustration needs to keep up with the new developments. Client LMC Design, London

From project brief to final artwork, I hope to impress and do my best, communicating my ideas discussing with you the most interesting way to turn your brief to an exciting visual. Collaboratively we can develop sketches and I will send those concepts on for your input, to help push the image forward to the final artwork.

My work is all rendered in pen and ink, my line art illustrations have evolved and developed as I’ve improved my craft.  When the ink is dry the final artwork is scanned, colored and tweaked, images can be vectored or saved to the file format you need.

It’s fantastic to see my work in context and I get a great deal of enjoyment seeing it in print.  For over a year on a weekly basis I contributed illustrations for The Guardian Newspapers Saturday edition.  My work has appeared in the London Underground and on Billboard posters in Italy for Piaggio’s urban scooter campaign , Artwork for Aids awareness literature in New York for HB4 Chelsea and recently an illustrated story, The Girl With Green Eyes for Oxford University Press aimed at an older readership to name but a few examples. 

The Girl With Green Eyes, 2011 For Oxford University Press’s Bookworms series, the above shows two images taken from the main location of the book, seven images in total featured this setting.  The challenge was to show the main characters in the same place but from different angles to keep the visuals interesting.

Recently I was fortunate to work on a project for the Northern Ireland Chamber Of Commerce (NICC), producing illustrations for their 230^th Anniversary brochure.  The brief required me to research on the developments in science, business and industry in Northern Ireland over the past 230 years to render interesting visuals to sit with and compliment the brochure’s copy.

Northern Ireland Chamber of Commerce Interior artworks (NICC) 2012 A selection of interior artwork for the NICC 230 brochure, expanding on the history and innovation the Chamber has passed through and helped influence.  Interior artwork needed to blend around the copy hence the rough edges and sat on the page couter edges.  Brochure Design by Pink Inc, Belfast.

Double page art for the Northern Ireland Chamber of Commerce (NICC), 2012  Interior cover imaged for the Northern Ireland Chamber of Commerce’s 230 brochure.  The artwork was to show the progression of Belfast from NICC’s foundation 230 years ago to present day.

Please get in touch if you would like to find out more, 

visit http://www.dylangibsonillustration.co.uk

Breakdown of an Illustration

I thought I’d write a little about how I would go through the process of illustrating an image in a step by step way including some of the rough work concepts and developmental sketches.

The following artwork is for a self initiated project to draw the cover artwork for Charles Darwin’s The Origin of Species.  First up is my initial idea, rendered in pencil the rough shows the basic composition of the cover, back cover on the left hand side and front on the right.  My idea for the cover was to create a montage of imagery of Darwin and some of the subjects associated with his theory laid down in his book, The HMS Beagle, Finches, Darwin’s study and the Galapagos tortoise.

This concept was sketched down to quickly capture down on paper my montage idea It includes a youthful and older versions of Darwin.

Above I've further developed the image giving it more detail in an effort to see how more finished looking elements work together.  I've added in some stylized waves swirling around the main montage.

 Added clouds in around the edges to fill in the space. These can be knocked back in the final art so not to interfere with the type.

Here colour is added, I wanted to do the final in hues of blue, my choice of blue to use needs further thought.

Here I’ve done a more finished image of the central composition of the illustration.  This is done in pen and ink and I’ve shaded it in a cross hatched way to see how it might look as a variation.  I’ve also added the “Darwin’s Finches” in a way to highlight the changes in their beaks.

The older Darwin here, illustrated in a simpler style without cross hatch shading, as the colour I will add will add the shading I need.  I wanted to develop his likeness more and have singled him out in order to work on his features more.

The finished image, I’ve drawn all the elements separately and added them together in a layered file so I can move them around and change colours more easily.  

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